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Her enthusiasm for her art constantly increased. She was not willing to acknowledge her semi-invalidism and was filled with the desire to do something in art that would live after her. She was opposed by her family, who wished her to be in fashionable society. At length she had her way, and when not quite eighteen began to study regularly at the Julian Academy. She worked eight and nine hours a day. Julian encouraged her, she rejoiced in being with "real artists who have exhibited in the Salon and whose pictures are bought," and declared herself "happy, happy!" Before long M. Julian told her that she might become a great artist, and the first time that Robert-Fleury saw her work and learned how little she had studied, and that she had never before drawn from a living model, he said: "Well, then, you have extraordinary talent for painting; you are specially gifted, and I advise you to work hard."

With these points having been determined, No. 20 was designed. This boiler had all the desirable features just enumerated, together with a number of improvements as to detail of construction. The general form of No. 15 was adhered to but the bolted connections between sections and drum and sections and mud drum were discarded in favor of connections made by short lengths of boiler tubes expanded into the adjacent parts. This boiler was suspended from girders, like No. 15, but these in turn were carried on vertical supports, leaving the pressure parts entirely free from the brickwork, the mutually deteriorating strains present where one was supported by the other being in this way overcome. Hundreds of thousands of horse power of this design were built, giving great satisfaction. The boiler was known as the "C. I. F." (cast-iron front) style, an ornamental cast-iron front having been usually furnished.

More interesting to me than the river itself were the wonderful effects of the ever-changing light in the sky. I saw no more the wonderful radiations which had given me so much pleasure in Matto Grosso, but we beheld here a great haze of delicate tones up to a great height and a light blue sky above it. The clouds seemed to possess no well-defined form, but were more like masses of mist, the edges blending gradually with the blue of the sky. Only to the west was there an attempt at globular formation in the clouds. The clouds of heavy smoke which rose and rolled about over the landscape helped to render the otherwise monotonous scene a little more picturesque.

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