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Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.

Five years ago there appeared a small volume entitled "The Strayed Reveller, and other Poems, by A." (The Strayed Reveller, and other Poems. By A. London: 1849) It was received we believe with general indifference. The public are seldom sanguine with new poets; the exceptions to the rule having been for the most part signal mistakes; while in the case of "A." the inequality of merit in his poems was so striking that even persons who were satisfied that qualities were displayed in them of the very highest kind, were yet unable to feel confidence in the future of an author so unusually incapable, as it appeared, of knowing when he was doing well and when he was failing.

Among the various wild animals which inhabit the earth, it is difficult to decide which are really friendly and which are really hostile to man's interests. The actual fact appears to be that there is neither hostility nor friendship. If farmers and gardeners kill off too many birds, nature revenges herself by sending a plague of insects which the small birds, if alive, would have eaten. Gamekeepers ruthlessly shoot hawks and kites, or snare stoats and polecats, with the result that their game grows up too thick for its feeding ground, sickly specimens are allowed to linger on, and a destructive murrain follows. The rook, no doubt, is fond of eggs; but nevertheless he does the farmer good service when he devours the grubs which are turned up by the plow; and as the salmon disease, which of late has proved so destructive, is attributed by the best authorities to overcrowding, that glossy-coated fisherman, the otter, is really a benefactor to the followers of Izaak Walton's gentle craft.

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