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My Web Site Page 129 Ovations 03After Burner chose the topics covered by My Web Site Page 129 without reflecting upon the choices others have made. Digging for clams along the beachfront in the desert of truth and waiting for an answer is another way to look at things in a different light. |
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On January 9th we passed several villages. Along the banks we saw many Indians, all dressed up in bright costumes, principally red shawls. We entered a tiny channel on the right bank and went as far as a place called San Jeronimo, a fairly large settlement. This small channel was, as late as 1895, the main stream, which has since been diverted by the formation of a low island. At sunset we perceived to the west what appeared at first a mass of low clouds revolving in a circle at a great speed. On closer inspection we found it to be millions of _garcas_ or aigrette storks flying in a circle. |
Properly, however, this work should be done by the assayer, if only for the following reason. It is assumed that the dry ore of the sampler and of the assayer are the same thing; according to the nature of the ore, this may or may not be the case. The assayer, however, uses the sample which he has dried for his moisture-determination, as the dry ore on which he makes his other assays, and no variation in moisture would influence the other and more important determinations. Some ores are sent to the smelter with from 5 to 15 per cent. of adherent water. In these cases it is best to spread out the sample, and taking equal portions fairly at regular intervals, weigh into a Berlin dish 20 grams. This should then be dried over a sand-bath, or if the ore is likely to be injured by excess of heat, over a water-bath until the weight is constant. The loss of weight multiplied by 5 gives the percentage of water present. |
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The old Venetian realism was followed, in the time of the Renaissance, by startling developments. In the works of Tintoretto and Veronese there is a combination of gorgeous draperies, splendid and often licentious costumes, brilliant metal accessories, and every possible device for enhancing and contrasting colors, until one is bewildered and must adjust himself to these dazzling spectacles--religious subjects though they may be--before any serious thought or judgment can be brought to bear upon their artistic merit; these two great contemporaries lived and worked in the final decades of the sixteenth century. | ||
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